She graduated in Acting in Creation Theatre from the ESAD of Murcia and in Translation and Interpretation from UMU. She has trained in theatrical creation with Grumelot, in stage direction with Carlos Tuñón and [Los números imaginarios], in immersive theatre with Onírica Mecánica, in clown with Pepe Viyuela, in participatory devices with Estela Santos, in object theatre with Claudio Hochmann, in fooling with Carlos Cegarra and Estudio La Matraca, and in vocal technique with Javi Prieto and Robert Sussuma. She was a member of the University Choir of Murcia and the Madrid Modern Choir, where she received training from Beatriz Albert. During her time as a theatre student, she also received musical training and learned guitar in a self-taught manner.

She has participated in shows such as *The Lamb* by Kor’sia, *La luna en el jardín* by Teatro Silfo, *¡Ay, Carmela!* by the Spanish Theatre Company of London, and *DIVINA/COMEDIA* with Grumelot, among others. She has also been part of collaborative creations such as *Rumbo a Farout* by Onírica Mecánica, *Prensa, luego exista* by Cía. La caucásica, and *ALAIF* by Pancreáticas Teatro. The latter two were awarded in the CreaMurcia competition in 2018 and 2021, respectively. She is also part of the cast of the musical version of *La casa de Bernarda Alba* by Cía. Agosto del 36, and works such as *El origen perdido*, for which she was awarded the Best Performance Award at the FITUC Festival in Casablanca in 2018.